Watch: ANTHRAX Teases Brand New Song During Canadian Tour

ANTHRAX has been playing a snippet of a brand new song during the band’s ongoing Canadian tour with MEGADETH and EXODUS.

Fan-filmed video of a couple of the teasers — including those from the Edmonton concert on February 21 and the Saskatoon show on February 24 — can be seen below.

As previously reported, ANTHRAX‘s long-awaited new studio album is tentatively due in May in North America via Megaforce and in Europe through Nuclear Blast. The mixing sessions, as well as some of the recording sessions, for the LP took place at Dave Grohl‘s Studio 606 in Northridge, California. ANTHRAX once again worked with producer Jay Ruston, who previously helmed 2016’s “For All Kings” and 2011’s “Worship Music” albums.

ANTHRAX bassist Frank Bello revealed the new LP’s tentative arrival month during a recent interview with Long & McQuade‘s Dan Coniglio. He said in part: “The record will come out in May. I’m very proud. It’s so heavy. Some parts are really hard to play — really hard to play, which I’m happy to say, ’cause I like the challenge of it all. Joey‘s [Belladonna, ANTHRAX singer] vocals — I don’t understand how the guy could sing like that, but he still is killing it. And I’m very psyched.

“If you like the last two records we’ve come out with and the past stuff, I think everybody’s gonna be happy, ’cause as fans, we’re very stoked,” he added. “And it’s been a while, guys, so thank you for waiting. It’s been 10 years [since the release of the last album]. So we made sure it’s worthwhile.”

Asked about ANTHRAX‘s creative process, particularly as it relates to the upcoming album, Frank said: “We had to get over the COVID thing, like everybody else. We couldn’t be one of those bands that were doing it over video, ’cause the latency, number one… Say we were jamming on something, it would come out a half a second later. It’s, like, ‘Oh,’ and you lose the vibe. So we would just send files to each other and stuff like that. And then we got together when it was safe to get together, when they told us it was safe. So the three of us — Charlie [Benante, drums], Scott [Ian, bass] and I — got together, as we’ve done all our lives, and started exchanging ideas. And from the files we’ve had, [we went through it and said], ‘What’s good? Is that good? Does that work here? Back and forth. And then you go home again and see what works. Then we start putting melodies to it, and then we put lyrics… It’s really like making a cake. It really is that. So it starts with the foundation of the three of us getting the music together. Music [comes first] and then melodies, usually. Scott and I usually go back and forth with that a lot. Charlie comes up with a lot of great music ideas, but we all came out with a lot of music ideas in this. And then the melodies. Scott and I would work on that a lot. And it’s an open thing. Everybody can come in with ideas. That’s the idea. And then the lyrics would come on top. And to get it through us, to make sure, as fans, and we’ve been doing this for a while — we cut out a lot of stuff: ‘No’. ‘Yes’. ‘No’. ‘Yes’. ‘Cause you want the best, like everything else. Like mom and my grandmother said, it’s gotta be the best. Work ethic. Editing is really tough, and it’s hard. Sometimes you lose parts that you love, but if it’s not good for the song. It’s all about the song, man. At the end of the day, that’s all we’re about. It’s about the song. And still to this day. Period.”

After Coniglio noted that you can’t be “married too hard to your ideas”, Frank concurred. “I’m still brokenhearted,” he said. “And it’s true. I think every songwriter will tell you that. Especially when you’re in a band, when you’re just not writing the stuff by yourself. When you’re collaborating, you have to be open and get ready for that. If that’s not working, you can’t force feed it in, ’cause it’s gonna screw up the song and not make it as potent as it can be. You gotta say, ‘All right, I gotta get rid of that ego thing and [be, like], ‘Okay. You’re right.’ And learn to say ‘you’re right’ and ‘I agree’. And then when you really feel strongly about something, you gotta remember that other side of it and you gotta really fight your way through. And sometimes that works too. So it’s a balance.”

This past December ANTHRAX filmed a music video for the first single from the band’s upcoming LP.

Earlier in December, Benante told the “100 Songs That Define Heavy Metal” podcast about the status of the band’s long-awaited follow-up to “For All Kings”:  ”Not because it’s our record, but God, this record is so good. And I know it took a long time to make, but I think people will really be surprised and they will really grasp this and just be, like, ‘Oh my God. This is worth the wait.’ At least that’s what I think.”

Regarding ANTHRAX‘s working relationship with Ruston, Benante said: “I’ll tell you, man, Jay‘s done the last few ANTHRAX records, and he’s become… We talked about [legendary THE BEATLES producer] George Martin before, and Jay has become that [for us]. And him and I have been working very close on this record.”

Charlie continued: “I know other bands will understand when I say this — it’s, like, you could have three or four songs and it’s, like, ‘Okay, they’re good.’ Then you have seven, then you have 10, then the record starts to take shape.

“A couple of months ago, I started to listen to all of [the songs from the new ANTHRAX album] in the order that I think we’re gonna put the record in, and it’s, like, ‘Wow, this is really good,'” Benante added. “It’s the best thing when you could put them all together and it just flows. So I’m really excited about it… We pushed the envelope on this record too, so I’m happy about that.”

In July 2025, Benante told the “Talk Is Jericho” podcast that he had “just finished the album cover” for the upcoming ANTHRAX album “and that is fucking trippy as hell,” he said. “I designed it with this artist, who is killer. You know David Blaine, the magician. He did a six-part series recently [National Geographic‘s ‘Do Not Attempt’], and Mark [Stutzman], the artist, he did a lot of the conceptual art for it.

“It’s so weird how things happen to me,” Charlie continued. “It’s, like, I was looking for an artist and I’m watching this David Blaine documentary, and there’s this art, which is exactly what I wanted. And I contacted him, and he loved the idea and he was a fan. So it’s so crazy how things just turn out that way. So I’m really happy about that.”

Earlier in July, Bello told SiriusXM‘s “Trunk Nation With Eddie Trunk” about ANTHRAX‘s new album: “I can’t say the title [of the album yet], but what I can say is people who have liked the last two records, and there’s been a lot of you, and thank you for that, I think we took another step from that. And this isn’t just a salesmanship thing. I am, as a fan, really proud of the band stepping up like this — musicianship, songwriting. Joey‘s vocals — I’m not even joking when I say this about Belladonna, it’s one of the best singing he’s done on an ANTHRAX record. I’m not even joking with that. So, we made sure the melodies, everything is right with this record. We’re ready to go. It’s been a long time, but I think we have the goods. I’m really proud of it, and I can’t wait to play this stuff. It’s gonna be a little challenging, definitely, but I’m looking forward to getting out there again.”

ANTHRAX celebrated its 40th anniversary in 2021 with a number of special activities and events. Formed by Ian and bassist Dan Lilker in Queens, New York on July 18, 1981, ANTHRAX was one of the first thrash metal bands to emerge from the East Coast and quickly became regarded as a leader in the genre alongside METALLICA, SLAYER and MEGADETH.

Active over the past five decades, ANTHRAX has released 11 studio albums, been awarded multiple gold and platinum certifications, received six Grammy nominations, toured the world since 1984 playing thousands of shows, including headlining Madison Square Garden and playing Yankee Stadium with the “Big Four”.

“For All Kings” was called by some critics ANTHRAX‘s strongest album to date. Its arrival followed a five-year period during which the group experienced a rebirth of sorts, beginning with ANTHRAX‘s inclusion on the “Big Four” tour, and continuing with the release of comeback LP “Worship Music”.